Classiest post election photo? Perhaps not. Most hilarious? Yes.
Moving right along, today was a three audition day! This is big, considering I haven't been to an audition at all in over a week. I (mostly) blame Sandy. There is of course, the tiny snag that I was supposed to go to Disney on Monday but my disgusting cold has not entirely left the building and I was phlegmy and coughing and it just wasn't happening in the singing department, folks.
Because apparently the weather gods hate the northeast right now, after last week's run-in with Hurricane Sandy, last night we got treated to winter storm somethingorother. It had a name but I've already forgotten it.
This was my block last night on my way home from ballet. It's NOVEMBER.
I wasn't positive auditions were even going to happen today - curse you, weather! - but a quick search around Playbill/Backstage/Actors Access/Audition Update proved that we were still on track in open call land, which means No Skip November would win out. I tried grudgingly to remind myself that crappy weather is usually a benefit, because it means that less people will show up for auditions. It didn't make my impending wakeup call seem any less crappy.
Nevertheless, I dragged myself out of bed at 7:15 with a RAGING headache, which I thought was extremely rude since it's not like I did the drinking to deserve it. Made it to Pearl by about 8:30 for The Family Theatre Company's In the Heights and found that I was only number 10 on the list. Success! I had an appointment across the street for a new play called Confessions of Poverty at 10 am, though, so I was like ahhh this is confusing because I will be in (wait for it) group 1 at ITH and then how will I multitask ahhhh morning ahhh brainexplodes ahhhh auditions. So you can imagine my surprise and delight when I ran into the monitor, my lovely friend Vincent, on the street! He had my back. It was great.
Confessions of Poverty was meh. I should have read the whole play - which they sent me on Tuesday - instead of only making it to page 30, so that's on me. My reading was solid, I think, but also not exactly right for the way the character was written. There's something to be said for making it your own, but there's something to be said for it not clicking because it's not the best interpretation of the material. Nonetheless, when the author questioned me on my thoughts on the piece I was able to offer some reasonably not bullshit-sounding interpretation and I think overall he liked me. We'll see if anything comes of that.
Went back to ITH and was called literally immediately upon arrival. Win! Decided on the line what I was singing though, which is a habit I desperately have to get out of. It was at this time that I decided to try a new thing - singing from the show!
I was always told this was frowned upon, but I'm beginning to see that in the professional world that's not really true. I've sung "Breathe" on countless occasions in class, concerts, etc. - you can read about my relationship to In the Heights and the song in this post from last January - but I've never once thought to sing it in an audition. Which is silly, right? So decide I did, sing I did, and it felt GREAT. I have sung it so many times I really didn't have to worry about it, and because of that it was also one of the most solid acting performances I've had in an audition in a long time.
They didn't ask me to dance, which means I didn't get called back. And while that sucks, it's been a while since I've walked out of the audition and been like "I feel good about what I left up there."
This evening, much later, I had an audition for a collection of new short musicals about New York. I got home from ITH at 11:30... and this audition wasn't until 9:05. This is not exactly great for garnering momentum, so it was slow going dragging myself back out of the house into the
40 degree feels like 35 degree weather.
I sang "You Can Always Count on Me" from City of Angels (AND didn't forget the words!) followed by Sara Bareilles' "Between the Lines" and a monologue from Nicky Silver's Food Chain. And everything went over really well! They were verbally responsive to both songs and I got huge laughs on my monologue which is reasonably rare. Afterwards, as I was wrapping up and getting ready to go, one of the panel said that he was really impressed to see somebody who made such smart choices of material and who clearly knew who they were as an actor come in the room.
KNOWING WHO I AM AS AN ACTOR?
I was dumbstruck with shock. And (here it comes again) gratitude. And maybe even awe. Because most days I'm not sure who I am as a person, let alone as an actor.
And yet... I think maybe I'm starting to get it. I know how to make the choices that make me feel comfortable and show me off, know how to find and present the material I really connect with that do show me off as a person and an actress. It was a GREAT feeling and I pretty much walked home on air. Who knows if I'll book it - I hope that I do - but that was a hell of a compliment to get today.
Son of a bitch I guess I'm doing something right - I finally got something right.